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After being talked about and awaited for months, 's finally reached the public's ears, reinforcing the fact that the group -- and particularly producer Jay Dee -- planned to continue where left off. Jay Dee's solid production track record for renowned artists such as Common and Q-Tip garnered the majority of the hype for this Detroit trio's second album. He specializes in a clean, musical style of hip-hop beats with an emphasis on crisp acoustic percussion and other classic funk sounds. The synthesizer-based sounds, such as 's ass-shaking electro beats, 's signature West Coast synth lines, and RZA's hallucinagenic orchestral ambience are nowhere to be found in Jay Dee's production. Similar to how his production looks back to a classic retro style of pre- funk, 's lyrics also have more in common with the past than the present.
Gangsta motifs, violence, bling-bling, drugs, misogyny, ice, trash talking, nonsense? These topics are also notably absent here, leaving Jay Dee, T3, and Baatin to rap about less dramatic and more egotistical topics such as their skills.
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One can't help but notice that sounds strikingly similar to,, and Common, which isn't surprising considering the fact that Jay Dee produced all three artists. The problem lies in the fact that isn't nearly as interesting as lyricists and their album follows rather than precedes these other groups. If had hit the streets in the mid to late '90s rather than in 2000, it would have been a landmark album with Jay Dee's signature neo-JB's hip-hop. Unfortunately, his sound isn't new anymore, and though many may like the fact that doesn't rap about decadent topics, one often finds Eminem's psychosis, Easy-E's promiscuousness, 's odes to bud, and DMX's inner conflicts more entertaining than 's mundane topics. In the end, no matter how much one hears Jay Dee's squeaky clean production, it never gets old, justifying the hype surrounding and making it an exciting record for anyone in love with purist hip-hop.