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Here’s a question that even the most argumentative film-nerds would barely bother to debate: What’s the greatest shark movie of all time? The obvious answer, of course, is Jaws, Steven Spielberg’s 1975 blockbuster about a working-class cop (Roy Scheider), a rich nerd (Richard Dreyfuss), and a perma-soused lunatic (Robert Shaw) who board a dilapidated boat and head out to kill a large fish by I dunno, poking it to death, maybe? (*Jaws *is my favorite movie, and I’ve likely seen it more times than I’ve seen the actual ocean, but I’m still not sure those three guys had a well-thought-out plan for offing that thing).
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For more than 40 years now, *Jaws *has stood as the standard-bearer of shark movies, an honor that remains unchallenged by neither the film’s three sequels, nor by the numerous knock-offs it inspired, like the Italian-produced The Last Shark. When Blake Lively’s shark-pursuit drama *The Shallows *opens today, pretty much every review will inevitably invoke Jaws, for better or worse. But that's an unfair comparison—in many ways, *Jaws *isn’t really a shark movie at all. Yes, it's about a shark that is very, very good at being a shark, and it has one of the most hoot-inducing fish-bites-flesh scene of all time, when the creature into the sea, savoring each bite as though it were chomping on a chum-soaked stogie.
But there are long stretches in Jaws in which the titular hunter disappears, and the movie transforms into a sharp examination of the petty, sometimes predatory behavior of the people on land: The way they favor their own bottom lines over the lives of their neighbors; the way they try to out-alpha-male each other; the way they allow their class differences to bubble to the surface. Baixar cd maria gad ao vivo multishow 2010. *Jaws *is actually one of the greatest human movies of all time, and to simply think of it as a shark-flick—even the best shark-flick ever—feels reductive. It belongs in its own category altogether.
So if you take *Jaws *out of the running for best-shark movie, what’s left? There’s 2003’s Open Water, a genuinely dread-inducing lost-at-sea flick that doesn’t have quite enough shark-shocks to qualify. Then there’s the glut of campy B-movies like the *Sharknado *films, which are full of mayhem, but are hard to take seriously for more than 10 minutes. Which brings us to The Shallows, the story of a young, wanderlusting surfer (Lively) who's being stalked by a massive Great White. For the most part, it's a gnarly, sharply effective terror-thriller that combines gorgeous camerawork with grind-house momentum—though in order to fully enjoy it, you'll have to get past a lackluster opening section full of surfing footage and c'mon-who-cares exposition, and you'll have to make peace with director Jaume Collet-Serra's shameless boob close-ups and underwater skin-shots (this is a movie that combines the male gaze with the whale gaze). But when Lively is finally stuck on the rocks, being forced to make one ingeniously improvised escape after the next, *The Shallows *becomes satisfyingly tense and adrenalized, especially in the borderline-cuckoo third act.
It's a really, really good shark movie. Almost a great one! But as deeply satisfying as *The Shallows *might be, it's still not the greatest non- Jaws shark movie of all time. That title belongs to Deep Blue Sea, director Renny Harlin’s 1999 sci-fi/action/horror combo about an underwater research lab whose residents become hunted by a trio of genetically modified super-sharks. It’s part haunted-house tale, part undersea-slasher flick, and part big-ensemble disaster movie, full of high-velocity attacks and ceaseless, remorseless sharks. It doesn't have the pop gravitas of Jaws, but it does have some archetypal, yet nicely rounded-out, human characters; moments of knowing comedy; and some genuinely inventive action sequences, including one of the greatest surprise deaths in modern-movie history. Upon its release,* Deep Blue Sea—*which is streaming on HBO Go, BTW—was greeted by so-so reviews and treated to a respectable box-office run; mostly, it was seen as little more than a fun summer-afternoon surprise.